2006: Art and Ethics (eds. King E, Levin G) “Art in the Age of Biotechnology ”

2004: Art et Biotechnologies, Presses de l'Université du Québec (eds. Poissant L, Daubner E) “ Art and the Biotech Industry: Adaptation and Innovation ”

2004: Journal of the History of Neuroscience, 13:79-90 (with Levy DE , Goldberg ME), “ Art and the Human Brain: The Importance of Art on Roger Shepard ’s Studies of Mental Rotation”

2003: CAA Abstracts 2003, New York (Feb 21), “Complexity and Genomics in Relation to Art”

2002: Society of Literature in Science Abstract 2002 (Oct 11), Pasadena, “Art and Complexity”

2001: Responses (to Biotechnology): Art Journal Vol. 60, No. 1 (Spring 2001): 6-7

2001: Leonardo: 34 (No. 2), April: 172-175, Endnote on “Art and the Genome: Finding Potential in Unlikely Places”

2001: OCULUS: 63 (5): 5,6. Review of Lebbeus Woods

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2000: CAA Abstracts 2000, New York (Feb 25). “How the Arts Help the Sciences”

2000: Endeavour:24(3): 137,138. Book review of “Inner Vision:Art and the Brain” by Semir Zeki

1999: Endeavor: 23(3): 141,142, Book review of “The Art of Genes: How Organisms Make Themselves” by Enrico Coen

1997: Publication from meeting of the Society for the History of Technology (Shot) (Panelist), Pasadena, CA

1996: Guest Editor with Sichel B: Contemporary Art and the Genetic Code CAA Art Journal: Spring, 1996, vol 55, no 1

1994: Leonardo (Artist's article): 27:75. Complexity

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1990: Center Quarterly (Curator and writer): #51 Vol. 11(4): 4

1987: Leonardo (Artist's article): 20(1): 3

1986: Perspectives in Biology and Medicine (Artist's article): 31(1): 95

1986: Mathematics in Art-Art in Mathematics (Art consultant): Consortium for Educational Equity, Rutgers University, Montclair (NJ) Art Museum